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Title sequence . At the center of the sphere is a light source, effectively a sun surrounded by an astrolabe- like arrangement of rotating rings. The details of the title sequence change each week depending on the locations visited. The following description is how the sequence appears in the first episode of the series, . Relief details are visible on the astrolabe, showing a volcano destroying a city while a dragon watches on and several people escaping in a boat, a reference to the Doom of Valyria and the Targaryens escape from it. The camera then pans to a wide- shot of Westeros and Essos before zooming in on the city of King's Landing, in particular the sigil of House Baratheon on what appears to be a large gear in the middle of the city. The gear begins turning, moving other cogs, and then three- dimensional buildings start rising out of the ground, such as the Red Keep and the Great Sept of Baelor. The camera pays particular attention to the godswood of Winterfell and its heart tree as it rises out of the ground before panning up to the sun and astrolabe.

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There is then another close- up of the detail on the astrolabe, this time showing the Stark direwolf, Lannister lion and Baratheon stag engaging the Targaryendragon in combat, a reference to Robert's Rebellion. Watch Lone Star Online Ibtimes here. The camera pulls all the way back to King's Landing before moving across the Narrow Sea to the Free City of Pentos, which similarly emerges from the ground while gears rotate. The Game of Thrones logo then appears over the astrolabe, with the heads of a dragon, wolf, lion, and stag emerging from the side of the logo. The latter won them an Emmy Award. The creators decided to place the map on the inner surface of a sphere with an astrolabe- sun object at the center.

The camera would then visit different parts of the map, while illustrations on the astrolabe covered some of the backstory to the series. The turning gears and cogs were meant to be reminiscent of Leonardo da Vinci's inventions. He would then fashion little automatons out of the materials that would be available in his world. They would be stone, or tin, or wood, and everything would feel very hand- crafted. These rules explain why the map doesn't always match up exactly to what appears in the episode.

The reason for this rule about Daenerys is because her locations outside of Westeros help show the vast sweep of the entire world, which is larger than just the one continent Westeros. If the camera simply panned up from King's Landing, to Winterfell, and then the Wall, it wouldn't really show much of the world at all. As Spence said. . I think if we tried to limit the main title to just places that appear in the episodes, or we're literally tracing each character, it would be more confusing and less successful at its primary task, which is really orienting people to the world. Again, this is to ground the most important parts of the world within the narrative: King's Landing is the capital city, the Wall is meant to hold back the return of the White Walkers, and Winterfell is the home of all the Starks.

For example, at the beginning of Season 5 the Eyrie appears in the title sequence, even though Sansa and Littlefinger left it at the end of Season 4. Instead, they are at Runestone, a major castle in the Vale. Even so, Spence explained, they didn't make a separate animation for Runestone, because it would only appear in that one episode and wasn't that important to the storyline as a whole, so it didn't justify the time and expense in creating an entirely new animation. Therefore, the Eyrie appears in that title sequence to represent the Vale as a whole, because it is the capital.

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The title sequence is never going to be delayed longer, in part due to the finite length of the opening theme song. The length of each animation is also fixed: they are never going to speed up or slow down the Winterfell animation. Added to this is the time it takes for the camera to zoom in and out, and pan across the globe, which can vary depending on which locations are in a single episode. The combined result is that through Season 5, no opening sequence has ever contained more than six locations, because there physically isn't enough time to fit more in (they might have more than six at a later point, if two are close together). Starting in Season 5, however, other characters start traveling to the eastern continent, particularly Arya Stark, Tyrion Lannister, and Varys.

Meanwhile, the TV series also physically visited Dorne for the first time, at the extreme southern end of Westeros - meaning it would take even longer for the camera to pan down to it. Also consider that each title sequence, as a rule, must show the Wall - which is on the exact opposite lengthwise side of the entire continent. This amounted to eight locations, and all at the far corners of the map, so there just wasn't enough time to zoom to each of them. Thus, the new Dorne animation could not debut in this episode, and the Pentos animation didn't reappear either. Greg Spence explained that they simply have to weigh how many motions the camera can physically make in a limited amount of time, and make tradeoffs relative to how important a location is in a given episode. While Volantis is an important location within the narrative and characters have discussed it throughout the TV series, it was the first time it had been physically visted, and they didn't know at the time if it would be revisited - meaning it didn't justify the expense of creating an entirely new Volantis- animation that would only get used once.

It also would have involved a large amount of panning by the camera, because Braavos is the northernmost Free City and Volantis is the southernmost. The known variations so far are as follows. Episode 1: The capital city of King's Landing, the castle of Winterfell, the Wall and the free city of Pentos all make their first appearance. Dragonstone returns, replacing Pyke. Winterfell is now clouded in smoke to reflect its sacking at the end of Season 2. Winterfell is not clouded in smoke anymore and the Stark sigil is replaced by the flayed man of House Bolton. Watch Message In A Bottle Online more.

This episode marks the first time three Essos locations are featured in the title sequence. Braavos is removed and Dorne returns, appearing after Meereen. The Bolton sigil in Winterfell is replaced by the grey direwolf of House Stark. Watch Philadelphia Online here. The Wall is replaced by the monolithic .