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The Millions : Five Crime Novels Where Women are the True Detectives. Four episodes into HBO’s crime show True Detective, I thought to myself, This is so good, it’s almost like a book. For this viewer at least, True Detective achieved a rare balance. Standard procedurals like Law & Order are reliably engaging because we know the mystery will be solved and wrapped up (more or less) nice and neat by the end of the hour. But stuffing plot twists, red herrings, and personal strife into an hour- long format can be hasty if not, at times, absurdly implausible.
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On the other hand, endless dramas with mysteries at their core run the risk of failing to resolve the puzzle long past the point where viewers still care enough to tune in each week. But True Detective contained the psychological depth of a drama with the reliability of a procedural — in short, all the satisfaction of a great mystery novel. Let’s hope that the eight episode mystery format returns for at least another season. One particular wish (buoyed by rumors) for a second season is that HBO will cast female detectives next time around. Amid the outpouring of love for the show, more than a few viewers diagnosed True Detective with having something of a “woman problem.” The New Yorker’s. Emily Nussbaum, for example, wrote that she was worn out from True Detective’s “macho nonsense,” what with its lack of complex female characters and tired trope of male detectives “avenging women and children, and bro- bonding.” In short, True Detective offers the same old “heroic male outlines and closeups of female asses,” and that’s boring.
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These conventions are as tough to shake in the crime novel as they are on television. If you love a good mystery book, there is little getting around the fact that most of the victims are women. A little girl goes missing, is a classic opening. Or, The body of a woman is found.
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A whole sub- genre, the “Special Victims Unit” of these books if you will, involves violent sexual crimes against women. If women must always be the victims, why not have them be the saviors, too?
As someone who inhales crime novels in bulk, I was getting a little tired of the male detective- female victim set- up myself. Recently, the owner of the wondrous Mysterious Bookshop in Tribeca (a shop so charming I’d like to move into it), remarked to me off- handedly that I had a “type” when it came to mysteries — I went for the female detectives. But there was some truth to his observation. It wasn’t a matter of principle, it was about the books. Female “detectives” were bringing new twists to the classic tropes. Soul Eater Episode 15. Some of the best mysteries I was reading had women cracking the cases.
So whether or not True Detective returns for another season and solves its woman problems, here is a short list of crime novels (many of them the start of series) where there’s a woman in charge. You might discover, like me, that you’re an accidental fan of the female detective. And if you have any other recommendations, please share — with True Detective over, it’s an especially bad time to run out of crime novels. Garnethill by Denise Mina. Garnethill begins when Maureen O’Donnell wakes up with a terrible hangover to find the dead body of her lover, a psychiatrist at the outpatient clinic she attends, tied up dead in her living room.
There are clues in the room that point to Maureen’s own trauma as an incest survivor — secret pieces of her personal history that almost no one knows about. Looking to clear her name, Maureen and her close friend Leslie, a domestic violence shelter employee, begin uncovering a horror story of abuse at the local psychiatric hospital.
Maureen and Leslie are as hard- living and jaded a duo as True Detective’s Cohle and Hart. They have seen terrible things.
The novel, the first in a series, takes place in economically- ruined Scotland, and the descriptions of booze are almost loving. Peach schnapps and fizzy lemonade from a two- liter. A whiskey miniature with a cold can of Kerslin.) This is a sex crime book, but one where the avenger is a victim herself, and no Stieg Larsson- esque male heroes show up to do any last minute protecting. In Garnethill, those tasked with protecting the vulnerable are often the most dangerous, and it’s usually up to the vulnerable to protect themselves.
It might sound like there is nothing more empowering than a victim of sexual abuse taking on crime flanked by her motorcycle- riding, domestic- violence fighting friend. But fair warning: Garnethill is dark and angering, for the ways in which Maureen and Leslie touch on reality.
Maureen constantly reminds that crimes don’t end for the victims just because the perpetrator has been stopped. Tough girl Leslie reminds of how much ingenuity it takes for women who protect other women to counter the physical threat that men pose. Together, though, Maureen and Leslie achieve that magic of any great crime- fighting partnership. Each is strong and weak in her own way, and just when you think one leans more on the other, everything changes. The Crossing Places by Elly Griffiths.
The Crossing Places, first in a series featuring archaeology academic Ruth Galloway, begins when the local chief detective approaches Galloway about bones found in a bleak area near Norfolk, a sacred ground in the Iron Age. The chief detective believes these might be the bones of a young girl who disappeared ten years before, and whose abductor continues to send him letters riddled with obscure archaeological and literary references. Crime brings several men into the life of Ruth Galloway, who is nearing 4. Ruth is relatively content about this arrangement; it’s the men about her who don’t quite know what to do with her.
Watching men react to Ruth is frustrating but also great fun. Some patronize her, others desexualize her. Watch This Girl`S Life HD 1080P.
Some assume she needs protecting, others forget her in their haste to protect more delicate- looking females. They are all rather inept. Forget solving the crime, Ruth has her hands full dealing with the men bumbling about her. But despite its grim crimes and grim setting, The Crossing Places is on the lighter side and Ruth is infinitely relatable.
Sharp Objects by Gillian Flynn. In Sharp Objects, hard- drinking, damaged, and recently institutionalized reporter Camille Preaker returns to her hometown after eight years to report on the disappearance of two girls. Gillian Flynn’s most famous character is Gone Girl’s cool girl/psychopath Amy, and in Sharp Objects, Flynn’s first novel, the women are likewise the show- stoppers. Camille’s hyper- perfect mother, with her crew of bored and medicated ladies who lunch, and her beautiful, Mean Girl half- sister, flanked by popular groupies, run the town. Staying in the secretive and somewhat surreal mansion with these two alpha- females and her own resurfacing past, Camille is very, very vulnerable.
She’s trapped in a world of women that she doesn’t understand and that grows increasingly sinister. Girl world is a scary place to be. Sharp Objects provides a counter- narrative to True Detective — the women in the novel are powerful, well- connected, and menacing.
Not to say that Sharp Objects sends up female stereotypes or empowers women. More than once I’ve wondered: does Gillian Flynn even like women? In a Millionsconversation on Flynn, Edan Lepucki and Janet Potter note that Flynn “repeatedly portrays hanging out with women as torture.” Nonetheless, Sharp Objects inhabits the world of women as fully as True Detective inhabits the world of men. As a female reader, there was something familiar about the grotesques in the world of women that made reading about them that much more eerie than the usual male suspects. The Various Haunts of Men by Susan Hill. The Various Haunts of Men, the first in a series by Susan Hill, is billed as a “Detective Simon Serrailler” mystery. But DCI Serrailler is barely a presence for much of this first book.