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· Here are the top 15 Christian movies on Netflix. Hannah is a freshman in college and suddenly finds her world upside-down when she. I challenge you to watch a.

Potts in this weekend’s live- action Beauty and the Beast remake, we decided to take a fond look back at some of the brightest critical highlights from her fine filmography, and you know what that means: it’s time for Total Recall! Based on a thinly fictionalized account of the 1. Joe Klein (who hid, for a time, behind the nom de plume “Anonymous”), and featuring cameos by Geraldo Rivera, Charlie Rose, Larry King, and Bill Maher as themselves, 1. Primary Colors could easily have been overshadowed by the real- life circus that followed Bill Clinton’s administration during both of his terms — but director Mike Nichols and screenwriter Elaine May had been a creative team for decades, and their comfort with one another, as well as a terrific cast, made Colors one of the better- reviewed films of the year. Thompson, tasked with providing a thinly disguised version of Hillary Clinton that was still layered enough to make sense in an ostensibly grounded drama, passed with flying colors; as Stanley Kauffmann wrote for the New Republic, “Sheerly as film, Primary Colors generally sizzles.”Watch Trailer. An ambitious blend of romantic melodrama and neo- noir with supernatural overtones, Dead Again found Thompson and co- star/director Kenneth Branagh playing dual roles in a fairly complex story about a detective who stumbles across a mute amnesia victim who may or may not have been his wife in a past life.

The end result could easily have spiraled into soggy schmaltz or mystical mumbo- jumbo, but Dead Again ultimately kept enough of its plates spinning to draw impressive praise from the majority of critics — including Jonathan Rosenbaum of the Chicago Reader, who wrote, “As the twists come thick and fast and the plot gets progressively more and more baroque, Branagh shows himself to be at least as intelligent as Brian De Palma in delivering over- the- top stylistic filigree.”Watch Trailer. The Harry Potter movies offered blockbuster franchise employment for a Who’s Who of British actors — including Thompson, who put in three tours of duty as the prophecy- dispensing Hogwarts professor of Divination, Sybill Trelawney.

First appearing in 2. Harry Potter and the Prisoner of Azkaban, Thompson returned for Harry Potter and the Order of the Phoenix three years later — and then helped usher out the series by reprising her role during the climactic Battle of Hogwarts in Harry Potter and the Deathly Hallows Part 2. In the 1. 0 years since Harry’s first big- screen close- up, the spell has never been broken,” wrote the Denver Post’s Lisa Kennedy. And we Muggles have been made better for the magic.”Watch Trailer. Ex- pat adventure, story within a story, expertly acted romantic comedy — 1.

The Tall Guy is all of these things, with Jeff Goldblum in the title role as an American actor with a starring gig in a long- running London comedy revue. Overtaken with a case of allergies, he falls for a nurse (Thompson), loses his job, and ends up landing a musical adaptation of The Elephant Man — and that isn’t really even the half of the oddball shenanigans in this production, which marked the feature debut of screenwriter Richard Curtis (not to mention director Mel Smith). It was all probably a little too left- field for mainstream audiences, but it proved a consistent favorite with critics. This movie is right about a great many things,” wrote Roger Ebert. One of them being that there is a market for comedy among people who were not born yesterday.”Watch Trailer. Kenneth Branagh’s second Shakespeare adaptation, Much Ado united a colorful cast (including Thompson, Keanu Reeves, Kate Beckinsale, Michael Keaton, and Branagh himself) to tell the tale of warring half- brothers (Reeves and Denzel Washington) whose squabbling serves as the backdrop to the star- crossed affairs of a group of friends, nobles, and relatives that includes former lovers Beatrice (Thompson) and Benedick (Branagh).

As with most Shakespeare adaptations, Much Ado didn’t make many waves outside the traditional arthouse crowd, but for the folks who saw it, it proved a deft, smartly rearranged version of one of the Bard’s lighter plays. Though some scribes took issue with the film’s eclectic cast, for most critics, its flaws were minor; in the words of the Washington Post’s Desson Thomson, “Director Branagh, who altered the play imaginatively for the screen, gives wonderful import to this silliness from long ago.”Watch Trailer. For a couple of years in the early ’9. Thompson and Anthony Hopkins ruled the arthouse — and it started with 1. Howards End, a period drama adapted by the award- winning Merchant Ivory filmmaking duo from the E. M. Forster novel. Here, Thompson (who earned a Best Actress Oscar for her work) stars opposite Hopkins as a couple whose love affair blooms against the backdrop of upheaval in the British class system during the early 2.

Calling it “Elegant and powerful, accommodating collisions of class and temperament with the grace of a perfect Edwardian hostess,” Time’s Richard Corliss wrote, “Howards End is the work to which all Merchant Ivory’s other films have pointed and aspired.”Watch Trailer. Thompson earned a Best Supporting Actress Oscar nomination for her work as a crusading defense attorney in this fact- based historical drama, which found writer- director Jim Sheridan dramatizing the travails of Gerry Conlon (Daniel Day- Lewis), an Irishman falsely convicted as one of the so- called “Guildford Four” after a 1. IRA. While some who were familiar with the real- life details of the case took issue with In the Name of the Father‘s historical inaccuracies, critics overwhelmingly felt it held up as a thrilling and affecting viewing experience; as Kenneth Turan wrote for the Los Angeles Times, the end result holds up as “a model of … engaged, enraged filmmaking, a politically charged Fugitive that uses one of the most celebrated cases of recent British history to steamroller an audience with the power of rousing, polemical cinema.”Watch Trailer. Adapted from the Kazuo Ishiguro novel, Remains tells the story of an implacable butler (Anthony Hopkins) and the comparatively hot- tempered housekeeper who grows to love him (Thompson) during their years together in a pre- World War II British estate. Sons Of Anarchy Episode 14 Season 6. Not the stuff of blockbuster epics, obviously, but it picked up eight Academy Award nominations, gave Thompson the opportunity to wring incredible drama from an act as simple as a glance, and reaffirmed her status as one of the few stars capable of making the jump between the megaplex and the arthouse.

Among Remains‘ many appreciative critics was Variety’s Todd Mc. Carthy, who wrote, “All the meticulousness, intelligence, taste and superior acting that one expects from Merchant Ivory productions have been brought to bear.”Watch Trailer. Jane Austen’s books have inspired countless films, but with 1. Sense and Sensibility, director Ang Lee proved there was still cinematic gold yet to be spun from her stories. Working from an Oscar- winning screenplay by Emma Thompson (who also starred as the noble Elinor Dashwood), Lee offered a faithful representation of Austen’s 1. British family after their patriarch passes away. Bolstered by an excellent cast that also included Kate Winslet, Hugh Grant, and Alan Rickman, Sensibility resonated with Jeanne Aufmuth of the Palo Alto Weekly, who echoed the sentiments of the vast majority of her peers when she asked, “Enduring love, heartbreak, undying passion and bitter betrayal.

What more could you ask from Jane Austen, and for that matter, from a film?”Watch Trailer. Want to star in a production of Shakespeare’s Henry V?